Carias's work explores the intersection of inherited narratives and the precise mechanics of production, questioning the assumed boundaries between ancient wisdom and contemporary fabrication techniques. Through a meticulous, research-driven process, tales drawn from Honduran folklore are deconstructed and reassembled, their core elements translated into the tangible language of materials and manufacturing. The goal is not to simply illustrate the myths, but to unearth their latent structural principles, revealing how these might inform new approaches to industrial design. This speculative lens challenges the notion of progress as a linear, ever-accelerating trajectory, suggesting instead a cyclical model where seemingly outdated concepts can be re-evaluated and revitalized. The resulting objects serve as coded messages, inviting viewers to reconsider their relationship with the manufactured world and the deep-seated cultural narratives that underpin it. They are not intended as functional tools, but rather as artifacts from a hypothetical future where the forgotten wisdom of folklore has been deliberately integrated into the very fabric of production. The implicit critique suggests that our current trajectory, devoid of such a connection, is inherently unstable and incomplete. This body of work is presented as a series of thought puzzles, provoking reflections on the enduring relevance of tradition in a technological age. The work quietly but persistently questions our collective assumptions.