Farah's work explores the potential of fashion to serve as a medium for critical inquiry, questioning established norms and prompting reflection on the often-unseen forces that shape our perceptions of the world. Drawing inspiration from digital art, cartography, and the transient nature of ephemeral materials, each garment is designed to be a wearable thought experiment, a provocation that challenges viewers to reconsider their assumptions about form, function, and the very definition of clothing. Digital art and cartography are not used to be representational; their structures, frameworks, and aesthetic principles are dissected and repurposed. This approach allows Farah to explore concepts of mapping abstract ideas onto the human form, creating garments that can be read as both visual statements and conceptual landscapes. By meticulously deconstructing and reassembling visual information, a layer of critique emerges. The inherent qualities of transparency, layering, and decay, that comes with working with fleeting and impalpable ideas, further enrich the narrative embedded within each piece. The final product is not simply attire, but a proposition, a carefully constructed question posed through fabric and form. Farah's designs seek to engage the intellect as much as the eye, inviting viewers to participate in a silent dialogue about the boundaries of expression and the power of clothing to convey complex ideas.